Considering the massive box office success of 'Gravity' over the past two weeks, chances are strong that you've already seen director Alfonso Cuaron's stunning science fiction thriller. If so, the news of a companion short film that sheds light on one of the movie's most memorable scenes should have your attention.
You've got to love it when 'SNL' forces its major movie star guest hosts to do really, really silly stuff and you honestly don't get much sillier than Bruce Willis playing a centaur. The only thing you can complain about here is that Willis is playing a guy playing centaur instead of a real centaur, but that may have been just a little too much perfect for a single sketch.
When a movie is sold as being the next incredible cinematic experience that will change the way we watch movies, expectations are huge. Audiences may scoff. It could all backfire. But Alfonso Cuaron's 'Gravity' lived up to the hype and audiences responded in kind, giving it the biggest opening ever for a non-sequel October release.
When 'SNL' is on point, there are few live, late night variety shows that skewer American politics so well (but then again, it really does have that category all to itself). There was no way the show was going to miss an opportunity to make fun of the recent government shutdown and there was no way they weren't going to use guest host Miley Cyrus to help do it. The result? A truly bizarre and inspired parody of the music video for Cyrus' "We Don't Stop," which puts Michele Bachmann and John Boehner front and center. Naturally, the new song is called "We Did Stop."
There are few 'SNL' sketches as reliably funny as fake screen tests, which give the cast the opportunity to show off their best and craziest celebrity impersonations. It felt especially important in the most recent Miley Cyrus-hosted episode of the show -- with so many of the big names gone, this was a chance for the lesser known cast members to step up to the plate. And you know what? They did. Mostly.
There's nothing like a family-friendly animated movie to help shake off the September doldrums and 'Cloudy With a Chance of Meatballs 2' performed as expected. Although Sony's big release effortlessly took the number one spot, this weekend had a few other bright spots, namely a handful of independent films doing quite well in more limited release.
Now that Bill Hader and Stefon have departed the show, we find ourselves treasuring every other recurring 'SNL' character and treating every appearance as if it's their last. That's just a long-winded way of saying "Welcome back, Drunk Uncle!" Bobby Moynihan's rambling, all-too honest (and all-too real) character once again graced the Weekend Update desk with his presence, updating us with his thoughts on current events and introducing us to a member of his extended family.
'SNL' is nothing if not timely. With the Tina Fey-hosted season premiere airing less than a day before the final episode of AMC's 'Breaking Bad,' it was only natural that they'd put together a meth-themed sketch. And since this is the world's most famous comedy and variety show, someone was able to pull the right strings and snag Jesse Pinkman himself -- Aaron Paul -- to make an appearance.
One of the things 'Riddick' has going for it is that it didn't cost too much. So while its opening weekend may be a little less than impressive, it doesn't have that far to go to make a profit. It's little victories like this that make this, one of the slowest most stagnant movie weekends of the year, more palatable.
The summer is over and September is upon us. The result? One of the most boring weekend box office reports in months. Months! The month or so following the end of the summer movie season is traditionally one of the worst of the year, the time when Hollywood unleashes all of the films that they have little faith in, a buffer between the blockbuster months and the award season months. In other words, it's the exact kind of climate where a movie like 'One Direction: This is Us' can thrive.
Despite a bunch of new releases with all kinds of wide and varied appeal, this weekend's box office top 10 looks suspiciously like last week's. Apparently, none of the newcomers could match Lee Daniels' 'The Butler,' which effortlessly claimed the top spot once more.
There's something thematically appropriate about a movie telling the story of a butler who quietly influenced the United States taking the number one spot at the box office over its flashy, bigger rivals. Lee Daniels' 'The Butler' took multiplexes by storm this weekend, taking down last week's competition as well as a handful of seemingly strong newcomers.
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