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Michael Gallucci

Michael Gallucci is the editor in chief of Diffuser.fm. His previous gigs include associate editor of Ultimate Classic Rock, managing editor of Cleveland Scene and writing about music and movies for All Music Guide, American Songwriter, the A.V. Club, Goldmine, M Music & Musicians, Paste, Spin, the Village Voice and other publications and websites.
Boston
Michael Ochs Archives, Getty Images
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Top 10 Boston Songs

Before people started calling bedroom bands bedroom bands, Boston were a bedroom band. MIT tech whiz Tom Scholz wrote a batch of songs and recorded some home demos, playing almost all of the instruments himself in his basement studio (so technically speaking, Boston were a basement band). He recruited friend Brad Delp to sing, and within a coup

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Mothers of Invention
Evening Standard, Hulton Archive, Getty Images
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45 Years Ago: The Mothers of Invention’s ‘We’re Only in It for the Money’ Album Released

From the mocking cover art to the orchestral notes that grace the music to the loose thematic ties that link the songs, the Mothers of Invention’s ‘We’re Only in It for the Money’ turns ‘Sgt. Pepper’s Lonely Hearts Club Band’ on its head. But it’s not so much the Beatles’ masterpiece -- which was released nine months before the Mothers album -- that Frank Zappa and his band of musical pranksters ruthlessly skewer; it’s the culture that fed and supported it.

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Eric Clapton
Beth Gwinn, Getty Images
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35 Years Ago: Eric Clapton Releases ‘Slowhand’

‘Slowhand,' released on the first day of November 1977, came at a crucial point in Eric Clapton’s career. After more than a decade as rock’s reigning guitar god, the 32-year-old Cream and Derek and the Dominos leader was coming off two unremarkable solo albums.

‘461 Ocean Boulevard,’ from 1974, proved Clapton could carry a song-oriented record under his own name; ‘There’s One in Every Crowd’ (1975) and ‘No Reason to Cry’ (1976) sank under their aimless and bloated self-importance.

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